Sunday, 31 October 2010

newsfromnexus201010


Ziegfeld Girl (theatrical spectaculars)
[Suicide Blonde]

newsfromlisbon201010


Public Images : to be shown without objects that in any way might damage its beauty and majesty, mask its virtues, paintings and other characteristics of its history and art.

[Avenida de Berna, 2010/10/28 16:03]

Saturday, 30 October 2010

newsfromlisbon201010


Public Images : it is forbidden to affix advertisements on buildings and in areas defined as ‘cultural patrimony’. Unless a community supervisor may, however, allow them if they do not damage the appearance, decorum and public enjoyment of the said building or area.

[Largo Camões, 2010/10/28 16:34]

Thursday, 28 October 2010

newsfromlisbon201010


Life at the public thing/affair (a nominative noun for a substantive or concrete thing and an attributive adjective meaning of and/or pertaining to the state or the public)

Friday, 22 October 2010

newsfromlisbon201010


Public Images : to be shown without objects that in any way might damage its beauty and majesty, mask its virtues, paintings and other characteristics of its history and art.

[Avenida Dom Carlos, 2010/10/21 16:55]

Wednesday, 20 October 2010

newsfrom...201010

For a while it was the fear of people or harmless events because of an improved economic position that could arise, while inside a white house full of frogs and toads, scattered all over the floor of a rectangular room lit by a glass wall, overlooking the hillside outside.

Beware of fake person maneuvers...

Then, later, it was walking normally through streets bustling people with a specific direction in mind, connecting process and bringing luck into striking successful events. Beware, careful decisions should be made. A metal box, a project completed, that is open, an extended trip, has inside a mechanical organism protecting an alliance, a new romantic relationship with a person committed. It could be a diamond, or not, it has to be assessed, looking for other item apart from that. Still, when looking into this gem, we can see inside vanity a position difficult for us to be displaced from.

Intelligence and prudence...

Change soon...all the shit will be flushed down the drain

Wednesday, 13 October 2010

newsfromribatejo201010


we want all to load things that lead into natural intercourse, allowing and making us to experience different types of communication with other individuals or groups

Monday, 11 October 2010

newsfromlisbon201010


the transience of earthly pleasures is a bright horizontal convergent stripe, it is a stage, a catwalk along which we display and show manners of behavior

Saturday, 9 October 2010

newsfromlisbon201010

Romeu Gonçalves (Pampilhosa da Serra, 1975)
«...reflecte sobre as questões museológicas e expositivas ao apresentar quatro desenhos de referências artísticas e uma caixa de transporte de obras de arte. A caixa de madeira foi totalmente queimada e está sob um plinto branco. Com esta acção, o artista transforma um objecto utilitário num desenho, porque passou a ser de carvão e porque o queimar deixou marcas da sua acção. O artista expõe essa mesma acção e não tanto o objecto em si, já que o novo objecto é a presentificação de um acontecimento passado que questiona a destruição do cânone de beleza que se associa à arte.» [Hugo Dinis, Outubro 2010)

newsfromlisbon201010

Martinha Maia (Trofa, 1976) e Carlos Noronha Feio (Lisboa, 1981)
«...encenam mais um projecto em conjunto. Tentando perceber as premissas, os processos e os fundamentos do trabalho do outro, os artistas constroem uma narrativa experimental que extravasa o seu próprio trabalho e, consequentemente, o trabalho do outro. Este trabalho em construção permite entender que através de um vestígio estranho pode-se edificar uma linguagem própria e pertinente.» [Hugo Dinis, Outubro 2010)

newsfromlisbon201010

Délio Jasse (Luanda, 1980)
«...expõe fotografias que se reportam a registos fotográficos sobre a identidade cultural e social através de um processo em que o artista fotografa imagens relacionadas com o colonialismo. Renovando a imagem, sem que esta perca o seu próprio tempo antigo e histórico, e colocando-a num novo suporte, o artista reconstrói o olhar e a leitura sobre a mesma. Esta nova imagem reporta-se a um tempo passado, propõe uma nova leitura no presente contamporâneo, expondo as fragilidades e preconceitos das antigas ideias, e promete que no futuro se possa pensar e reagir de uma outra forma.» [Hugo Dinis, Outubro 2010)

e ainda Pedro Alfacinha, Pedro Amaral, Sara & André, Daniel Barroca, Martinho Costa, Sara Nunes Fernandes e Lúcia Prancha, João Ferro Martins, Marta Moura, e Miguel Naves

Friday, 1 October 2010

newsfromlisbon201009


Public Images : it is forbidden to affix advertisements on buildings and in areas defined as ‘cultural patrimony’. Unless a community supervisor may, however, allow them if they do not damage the appearance, decorum and public enjoyment of the said building or area.

[Campo Grande, 2010/09/28 14:10]