Bridget Riley, Prairie (acrylic on linen, two panels, 196.9 x 786.2 cm), 2003/1971
Occasionally, I spent my night with the computer or the iPod at my side. With the headphones over my head. Laying down in silence listening to music. It could be an opera from a classic composer, or a set of albums by a particular band, or, even, have the shuffle bottom on and let the music came to me randomly and surprisingly. Which is my favourite way: a classic followed by industrial followed by pop followed by world music or a ranchera followed by dark-metal...
All throughout the night I have the deep pleasure of revising places and experiences begone. Answers to questions asked. A particular song, the singer's voice, a sentence trigger a set of stimulus. Create rhizomorph connections and relational structures. The beat, the silences, the melody spring like poems after a wine drinking evening in the company of close and intense companions, new and old friends around a dinning table until dark turn light.
This comes about Bridget Riley's Stripe paintings on show at David Zwirner gallery in Mayfair. Variations, patterns, compositions and modulations, explorations on movement, perception emerging from each painted line. Sound escapes from each different panel and flows constantly through each room, submerging in a given time our presence. |
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