Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

Wednesday, 1 July 2015

The 30'ish Birthday party

Day One:
Work visit to the business complex of Canary Wharf (birthday gift by/with EdS)
Day Two:
A new inspiring visual poetic book about 'Private' life for my collection (birthday gift by/with Mona Kuhn)
Day Three [1st July]:
Picnic at London Fields park, in the "Leafy Islington, formerly Trendy Islington, formerly Stabby Islington", on the warmest day in the UK (birthday gift by/with JP)
Day Four:
Gig in Shoreditch, in the historic East End of London, (birthday gift by/with MS)
Day Five:
Late night sparkling wine drink (birthday gift by/with TC)
Day Six:
London Art Week (birthday gift by/with Myself as an art critic)
Day Seven:
Lunch at the Michelin Star St. John's in Clerkenwell (birthday gift by/with GS)

Sunday, 6 July 2014

Christian Jankowski: Heavy Weight History

...after three days enjoying Christian Jankowski's artworks, a catalogue on the Heavy Weight History and many others!
Institute of Contemporary Arts

Artists' Film Biennial 2014: Christian Jankowski Programme 1 : Reframed
This first part of a three-part retrospective programme offers a glimpse at Jankowski’s films, presenting a selection of work charting a period of over years twenty years.

Christian Jankowski (born 1968, Göttingen, Germany) lives and works in Berlin. Recent solo exhibition include Heavy Weight History, CCA Ujazdowski Castle, Warsaw (2013); The Eye of Dubai, The Pavilion Downtown Dubai, Dubai, UAE (2013) and Casting Jesus, MACRO (Museo d’Arte Contemporanea Roma), Rome. He has participated in numerous group shows including Tears and Politics: Works by Phil Collins and Christian Jankowski, Blaffer Art Museum, Houston (2014);Christian Jankowski and Guga Ferraz, Sala de Arte Publico Siqueiros, Mexico (2012); What Happened to God?, Halle 14, Leipzig (2012) and The Beauty and the Distance, 17th Biennale of Sydney (2010).

This three-part retrospective programme offers a generous glimpse at Jankowski’s films, presenting a selection of work charting a period of over years twenty years from 1992 to the present. Each programme is structured around a theme, defining a distinct strand of his practice.

The first programme, Reframed, draws on the absurdity that often arises when contexts are juxtaposed or realigned. Puppet Conference, 2003, sees a line-up of familiar puppets, synonymous with childhood pursuits, engaged in a very different dialogue. Lycan Theorized, 2009, takes a cinematic tone to explore Lacanian theory through the lens of the horror genre.

  • Discourse News, 2012, SD video, colour, sound, 5 min 45 sec
  • Ebbe in Freedom, 1992, SD video, colour, sound, 8 min 58 sec
  • Lycan Theorized, 2006, 35mm transferred to SD video, colour, sound, 23 min
  • Puppet Conference, 2003, SD video, colour, sound, 25 min
  • Rosa, 2001, SD video, colour, sound, 18 min 54 sec
Total duration: 82 min

Artists' Film Biennial 2014: Christian Jankowski Programme 2 : Learning the Absurd
This second part of a three-part retrospective programme offers a glimpse at Jankowski’s films, presenting a selection of work charting a period of over years twenty years.

Christian Jankowski (born 1968, Göttingen, Germany) lives and works in Berlin. Recent solo exhibition include Heavy Weight History, CCA Ujazdowski Castle, Warsaw (2013); The Eye of Dubai, The Pavilion Downtown Dubai, Dubai, UAE (2013) and Casting Jesus, MACRO (Museo d’Arte Contemporanea Roma), Rome. He has participated in numerous group shows including Tears and Politics: Works by Phil Collins and Christian Jankowski, Blaffer Art Museum, Houston (2014);Christian Jankowski and Guga Ferraz, Sala de Arte Publico Siqueiros, Mexico (2012); What Happened to God?, Halle 14, Leipzig (2012) and The Beauty and the Distance, 17th Biennale of Sydney (2010).

This three-part retrospective programme offers a generous glimpse at Jankowski’s films, presenting a selection of work charting a period of over years twenty years from 1992 to the present. Each programme is structured around a theme, defining a distinct strand of his practice.

This second programme, Learning the Absurd, draws together a diverse selection of works that connect childhood with adult pursuits and vice versa. The humorous The Matrix Effect, 2000, features a cast of children, each playing the role of an artist from the late 20th Century. In contrast, Rooftop, 2007 features an adult cast who give advice on the most effective approaches to hula hooping.

  • Cleaning Up the Studio, 2010, HD video, colour, sound, 9 min 33 sec
  • When I Was Cuisillo, 2009, SD video, colour, sound, 2 min 57 sec
  • Rooftop Routine, 2007, SD video, colour, sound, 4 min 30 sec
  • Let’s Get Physical/ Digital, 1997, SD video, colour, sound, 37 min 32 sec
  • The Finest Art on Water, 2011, HD video, colour, sound, 10 min
  • The Matrix Effect, 2000, SD video, colour, sound, 24 min 54 sec
Total duration: 90 min

Artists' Film Biennial 2014: Christian Jankowski Programme 2 : Believe Me + Q&A
This last part of a three-part retrospective programme offers a glimpse at Jankowski’s films, presenting a selection of work charting a period of over twenty years.

Christian Jankowski (born 1968, Göttingen, Germany) lives and works in Berlin. Recent solo exhibition include Heavy Weight History, CCA Ujazdowski Castle, Warsaw (2013); The Eye of Dubai, The Pavilion Downtown Dubai, Dubai, UAE (2013) and Casting Jesus, MACRO (Museo d’Arte Contemporanea Roma), Rome. He has participated in numerous group shows including Tears and Politics: Works by Phil Collins and Christian Jankowski, Blaffer Art Museum, Houston (2014);Christian Jankowski and Guga Ferraz, Sala de Arte Publico Siqueiros, Mexico (2012); What Happened to God?, Halle 14, Leipzig (2012) and The Beauty and the Distance, 17th Biennale of Sydney (2010).

This three-part retrospective programme offers a generous glimpse at Jankowski’s films, presenting a selection of work charting a period of over years twenty years from 1992 to the present. Each programme is structured around a theme, defining a distinct strand of his practice.

The final programme, Believe Me, takes a focused look at belief structures, in particular those of the art world. Jankowski’s Telemistica, 1999, sees a host of TV psychics advise the artist on his participation in the 2009 Venice Biennale. The recent Heavy Weight History, 2013, takes the form of a television sports report. A group of Eastern European weight lifters take up the challenge of attempting to lift monuments symbolic of the region's past.

The screening is followed by a Q&A with artist Christian Jankowski and ICA Associate Curator of Artists’ Film and Moving Image Steven Cairns.


16-mm Mystery, 2004, 35mm transferred to DVD, colour, sound, 5 min
The Hunt, 1992, SD video, colour, sound, 1 min 11 sec
Telemistica, 1999, SD video, colour, sound, 22 min 8 sec
The Holy Artwork, 2001, SD video, colour, sound 2001, 15 min 52 sec
No One Better Than You, 2004, SD video, colour, sound, 3 min 1sec
Heavy Weight History, 2013, HD video, colour, sound, 25 min 46 sec
Der Malteser Blick, 2014, HD video, colour, sound, 1 min 49 sec

Total duration: 76 min + 30 min Q&A

Curated by Steven Cairns, ICA Associate Curator of Artists’ Film and Moving Image.

Since the early 1990s, German artist Christian Jankowski has tested the boundaries between high art and mass-culture. Often co-opting the space of commercial television and cinema, he continuously subverts and pokes fun at the role of mass culture in the everyday, paralleling the structure of the art world with that of organised religion or the cult of the celebrity.

Christian Jankowski (b. 1968, Göttingen, Germany) lives and works in Berlin. Recent solo exhibitions include “Heavy Weight History”, Lisson Gallery, London (2014); “Heavy Weight History”, CCA Tel Aviv (2014) and Wasser, Käse, Feuer. Christian Jankowski. “25 Editionen und ein anonymes Original” Helga Maria Klosterfelde Edition, Berlin (2014). He has participated in numerous group shows including “Tears and Politics: Works by Phil Collins and Christian Jankowski”, Blaffer Art Museum, Houston (2014); “Room Service”, Staatliche Kunsthalle Baden-Baden (2014); “Real Emotions: Thinking in Film”, KW Institute for Contemporary Art, Berlin (2014) and “Things we discover alone (Independent Learning)”, Galerie für zeitgenössische Kunst Leipzig (2014).

Please note that all films are 18+ unless otherwise stated.

Wednesday, 16 October 2013

Book Launch: What is an Art Book? Volume 2 & Volume 3

PRESS RELEASE:
The Modern Language Experiment at Sluice Art Fair 19-20 October 12-9pm, Preview 18th October 3-6pm

Join us at Sluice Art Fair
19 - 20 October 12-9pm,
Preview 18 October 3-6pm
47-59 Tanner Street,
Bermondsey, London SE1
Pitch no:4

We are very pleased to be launching What is an Art Book? Volume 2 & What is an Art Book? Volume 3 at Sluice art fair, featuring the following artists:

Volume 2
Alex Lawler / Beth Fox / Bruno Borges / Bureau / Carlos Correia / Carmen Billows / Catt Bagg / Cedar Lewisohn / Charlotte Norwood / Chooc Ly Tan / Christina Mitrentse / Copy / David Rickard / Erica Scourti / Francisca Ferreria Larsson / Frenchmottershead / Giorgio Sardotti / Gordon Shrigley / Grayson Perry Studio / Jesse Darling / Joey Holder / Karl England / Leslie Deere / Linda Stupart / Maite Zabala / Marita Fraser / Mike Miles / Paul Knight / Richard Ducker / Rebecca Meanley / Rosalind Davis / Rui Gonçalves Cepeda / Ruth Proctor / Simona Brinkmann Steven Morgana / Welmoet Wartena

Volume 3
Adam Payne / Aaron Miller / Alexis de Chaunac / Amy Fung / Anthony Miler / Ben Stubbington / Bobby Stackleather / Bruce High Quality Foundation / Catherine Taylor / Charlie Nesi / Colin Kilian / Cynthia Lin / Diana Schmertz / Eli Rosenbloom / Emily Knecht / Emma Wasielke / David Pappeceno / Gwen Hardie / Jacquelyn Ross / Jason Alexander Byers / Jomar Statkun / Michael Gittes / Julien Levy / Kirsten McCrea / Kristina Lee / Kumasi Barnett / Kyle Kouri / Lindsay Keys / Martyn Gallina-Jones / Matthew Stock / Russell Perky / Sarah Faux / Samuel Stabler / Sam Fryer / Serena Qiu / Sharon Butler / Simon Burstall / Tina Hage & Keh Ng / Tiziana La Melia / Tyler Healy / William Buchina / Zefrey Throwell / Omar Zeinc / Zeph Colombatto

Tuesday, 30 July 2013

The London Art Book Fair: Opening Night

The London Art Book Fair 2013 Opening Night
Thursday 12 September 2013, 6–9pm
Whitechapel Gallery
Admission Free



Enjoy exclusive previews of new artists’ books, catalogues, rare publications and zines from a host of international exhibitors.

The fair continues over the weekend - with screenings, conversations and talks by leading artists and authors including Tacita Dean, Cornelia Parker and Luc Tuymans, The London Art Book Fair is essential for anyone interested in art books.

Friday, 24 May 2013

The London Art Book Fair 2013

The London Art Book Fair
13–15 September 2013
Applications close on 31 May 2013

The London Art Book Fair is an annual event at the Whitechapel Gallery where more than eighty exhibitors including galleries, magazines, colleges, arts publishing houses, distributors, rare book dealers and individual artist publishers meet to showcase their work over a weekend dedicated to art publishing.
Please click here to apply for a stand.

Wednesday, 27 March 2013

T.J. Demos in conversation with Kodwo Eshun

...and they were brought over here, twelve metres from the road...

«The Showroom is pleased to announce the launch of two new books by London-based writer and critic T.J. Demos:

The Migrant Image: The Art and Politics of Documentary During Global Crisis (Duke University Press, 2013)

Return to the Postcolony: Specters of Colonialism in Contemporary Art (Sternberg Press, 2013).

In the wake of failed states, growing economic and political inequality, and the ongoing US- and NATO-led wars for resources, security, and economic dominance worldwide, contemporary artists are critically exploring the image regime of neoliberal capitalism and crisis-globalization. They are also revisiting former European colonies, considering past injustices that haunt the living yet remain repressed in European consciousness.

In The Migrant Image, Demos examines the ways contemporary artists have reinvented documentary practices in their exploration of mobile lives: refugees, migrants, the stateless, and the politically dispossessed. He presents a sophisticated analysis of how artists from the United States, Europe, North Africa, and the Middle East depict the often ignored effects of globalization and the ways their works connect viewers to the lived experiences of political and economic crisis. The book features case studies of works by Steve McQueen, The Otolith Group, Hito Steyerl, Emily Jacir, Ahlam Shibli, Ursula Biemann, Joana Hadjithomas and Khalil Joreige, Lamia Joreige, Akram Zaatari, Walid Raad, Rabih Mroué, Yto Barrada, Goldin + Senneby, Ayreen Anastas and Rene Gabri, and others, showing the ways these artists creatively propose new possibilities for a politics of equality, social justice, and historical consciousness from within an increasingly post-representational, deterritorialized aesthetic domain.

Return to the Postcolony: Specters of Colonialism in Contemporary Art continues this investigation, looking at works by artists Sven Augustijnen, Vincent Meessen, Zarina Bhimji, Renzo Martens, and Pieter Hugo that have emerged around the time of the fiftieth anniversary of independence for many African countries. Confronting the hauntings of past and ongoing colonial traumas, Demos describes these artistic journeys as forming a “reverse migration” — a return to the European and African postcolony, which drives an ethico-political as well as an aesthetic set of imperatives: to learn to live with ghosts, but to do so more justly.

Demos will discuss and expand on these themes in conversation with Kodwo Eshun.

T.J. Demos is critic and Reader in the Department of Art History, University College London. He writes widely on modern and contemporary art and politics under globalization, and recently guest edited a special issue of Third Text (no. 120, 2013) on the subject of “Contemporary Art and the Politics of Ecology.”

Kodwo Eshun is an artist and theorist. As co-founder of The Otolith Group, his videos, including People to be Resembling (2012), The Radiant (2012), I See Infinite Distance Between Any Point and Another (2012), Anathema (2011), Hydra Decapita (2010), Nervus Rerum (2008) and The Otolith Trilogy (2003-2009) have been presented internationally in solo exhibitions at MACBA, Barcelona, MAXXI, Rome and Showroom, London and at group exhibitions including dOCUMENTA(13), the 29th Bienal de Sao Paulo, Manifesta 8 and British Art Show 7. In 2010, The Otolith Group was nominated for The Turner Prize. He is the author of Dan Graham: Rock My Religion (2012) and More Brilliant than the Sun: Adventures in Sonic Fiction (1998) and co-editor of Third Text 108: The Militant Image: A Cine Geography (2011), Harun Farocki: Against What? Against Whom? (2009) and The Ghosts of Songs: The Film Art of The Black Audio Film Collective (2007). He is Course Leader of the MA in Aural and Visual Cultures at Department of Visual Cultures, Goldsmiths, University of London.

Thursday, 14 February 2013

The London Art Book Fair 2013: Applications close 20 May 2013

The London Art Book Fair
13–15 September 2013
Applications close on 20 May 2013


The London Art Book Fair is an annual event at the Whitechapel Gallery where more than eighty exhibitors including galleries, magazines, colleges, arts publishing houses, distributors, rare book dealers and individual artist publishers meet to showcase and sell their work over a weekend dedicated to art publishing.
The next London Art Book Fair will take place at the Whitechapel Gallery on the 13–15 September 2013.
Please click here to apply for a stand.

Friday, 12 October 2012

Saturday, 14 July 2012

Book Launch: What is an Art book?

«An Art Book today can be seen to occupy various different positions including that of a piece of theory, a catalogue, a printed exhibition, a piece of art in itself, a supplement to a pre-existing piece. It can be a proposal for the future or an examination of the present or what has passed. “What is an Art Book?” will be an investigation of what an Art Book is in terms of material and conceptual concerns. This is an on going collaborative project that will be produced during the Artist Books Weekend held every year at The Mews Project Space. Artists, writers, curators, designers and other practitioners are invited to respond to the title of the project by contributing their interpretation of what an Art book means to them and their practice. Each contributor can propose text, drawings, photographs, sculpture, performance, audio recordings, video or any other concept/theory as long as it can ultimately be realised in A4 paper format and in black and white.

Adrianna Palazzolo / Alan Magee / Alice Bain / Aukje Dekker / Begona Morea Roy / Briony Anderson / Carlos Noronha Feio / Craig Cooper / D J Roberts / Dominic Paterson & Neil Celements / Gary Colclough / Gayle Meike / Hanane Ech-Charif / Imogen O'Rorke / James Brooks / Jeremy Akerman / Jo Ying Ping / Joanna Greenhill / Kate Janes / Kate Terry / Keh Ng / Kirsty Buchanan / Kristian De La Riva / Lecasdarte / Lewis Biggs / Lee Maelzer / Liane Lang / Lizzy Whirrity / Maria Fusco / Mark Jackson / Martha Sophie / Mary Yacoob / Mashu Ru / Matthew Stock / Mikael Larsson / Neil Coombs / Nicole Wassall / Olga Raciborska / Paul O'Kane / Pure Evil / Sarah Ludemann / Satu Jokinen / Shane T Hall / Thibaut DeWolf / Tina Hage / Vera Tollmann / Waldemer Pranckiwicz / Warren Garland / Wassink Lundgren»