One layer after another, in a mixture of graffiti, painterly comments, street poetry and photographs from a private life the public took up the rationale of cannibalism and made it their own. The general tonic in this free use of the sign was a blend of rage and disenchantment, as expressed in the fragments of dialogue painted on the walls. In any case, the collective authorship expressed the colorful grayness of the present historical period. [adapted from Cuauhtémoc Medina text about Tania Bruguera's work in Dominó Caníbal]
[Rua das Flores, 2011/03/18 18:33]
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