Mishka Henner: Black Diamond

Mishka Henner
Black Diamond
Carroll / Fletcher

Mishka Henner lives and works in Manchester. Recent solo exhibitions include Precious Commodities, Open-Eye Gallery, Liverpool (2013) and No Man's Land, Hotshoe Gallery, London, UK (2011). Group exhibitions include Now You See It: Photography and Concealment, Metropolitan Museum of Art, New York; Plotting From Above: Mishka Henner and Montreal Aerial Survey, McCord Museum, Montreal; Drone: The Automated Image, Darling Foundry, Montréal, Canada; Views from Above, Centre Pompidou, Metz, France; A Different Kind of Order, International Centre of Photography, New York, USA (all 2013); Appropriation: Questioning the Image, Fotogalerie Wien, Austria; No Man's Land, Oregon Center for Photographic Arts, USA (all 2012).

In 2013, Henner was awarded the ICP Infinity Award for Art by the International Center of Photography, New York, and shortlisted for the Deutsche Börse Photography Prize at the Photographers' Gallery, London. His work is held in collections including the Tate Library Collection, London; Centre Pompidou, Paris; Museum of Fine Arts, Houston; Portland Museum of Art, Metropolitan Museum of Art and the Cleveland Museum of Art.

Kader Attia: Continuum of Repair: The Light of Jacobs Ladder

Kader Attia
Continuum of Repair: The Light of Jacobs Ladder
Whitechapel Art Gallery

Installation View

«French Algerian artist Kader Attia’s (b. 1970) immersive, multi-media installation gives us a glimpse of infinity. He revisits the story of Jacob’s Ladder describing the prophet’s vision of angels ascending from earth to heaven. A towering floor to ceiling structure fills the lofty spaces of the Gallery as a cabinet of curiosities, artefacts and books.

This new work of art is the result of Kader Attia’s engagement with a space steeped in history as the reading room of a former library. It looks at the idea of books and objects as receptacles of history, continuously carrying memories with them. The installation also maps the evolution of knowledge through the study of science, anthropology, politics and physics.

The installation is the latest chapter in Kader Attia’s research into the concept of repair, which he sees as an underlying principle of development and evolution in both culture and nature. As Attia says ‘the biggest illusion of the Human Mind is probably the one on which Man has built himself: the idea that he invents something, when all he does is repair.’

Kader Attia was born in Dugny, France and he has exhibited widely internationally including at art survey dOCUMENTA (13), 2012. This is his first UK exhibition.» [...]

In 2006 & 2009, the Slovakian artist Matej Kren built an octagonal building, the Book Cell, in the CAMJAP's lobby (Lisbon), creating a disorientation-symmetrical structure, made entirely from books, reflecting an enclosed multiplication of knowledge, history, research and trends.