Showing posts with label Max Wigram Gallery. Show all posts
Showing posts with label Max Wigram Gallery. Show all posts

Thursday, 19 June 2014

A day at the... tracks

Urs Fisher
Sadie Coles HQ
69 South Audley Street
London W1K 2QZ
Ice Fishing: McArthur Binion, Bill Bollinger, Charles Harlan, Virginia Overton, Michael E. Smith (curated by Darren Flook)
Max Wigram Gallery
106 New Bond Street
London W1S 1DN
Michael E. Smith, Sleep (exhaust pipe, taxidermied chicken), 2013
Elisa Sighicelli
MOTINTERNATIONAL London
72 New Bond St. 1st Fl.
London W1S 1RR

Adriana Varejão:
Carnivorous
Victoria Miro Mayfair
14 St George Street
London W1S 1FE
Richard Jackson
New Paintings
Hauser & Wirth
23 Savile Row
London W1S 2ET
Phyllida Barlow
Fifty Years of Drawings
Hauser & Wirth
23 Saville Row
London W1S 2ET
Eva Nielsen
The Road
Selma Feriani Gallery
23 Maddox Street, Mayfair
London W1S 2QN

Mario Dellavedova
Still Lifes Off
Sprovieri
23 Heddon Street
London W1B 4BQ
Jim Lambie
Answer Machine
Sadie Coles HQ
62 Kingly Street
London W1B 5QN
Obliteration Device: Jakup Auce | Aline Bouvy | David Burrows | John Cussans | Benedict Drew | Ryan Jordan | Simon O'Sullivan | Roberto Peyre | Hannah Sawtell | Tai Shani
IMT Gallery
Unit 2/210 Cambridge Heath Road
London E2 9NQ UK

Tuesday, 19 November 2013

John Houck: IJ and John Giorno: Everyone Gets Lighter

Max Wigram Gallery
John Houck
ij

John Houck (b. 1977 in South Dakota) lives and works in Los Angeles. Recent solo exhibitions include A History of Graph Paper, On Stellar Rays, New York, 2013; To Understand Photography You Must First Understand Photography, Kansas Gallery, New York, 2012; Recursion, Bill Brady/KC, Kansas City, 2012. His work has been included in exhibitions at Galerie Marian Goodman, Paris, 2013; Art in General, New York, 2010; The Kitchen, New York, 2010; Hammer Museum, Los Angeles, 2007; Millennium Museum, Beijing, 2006; Centre Pompidou, Paris, 2006. In 2010 Houck participated to the Whitney Independent Study Program, New York.

John Giorno
EVERYONE GETS LIGHTER

John Giorno (b. 1936 in Brooklyn) lives and works in New York. Giorno’s solo exhibitions include EATING THE SKY, Broadway Billboard at Socrates Sculpture Park, Long Island, NY; Faux Movement, Centre d’art contemporain, Metz; Star 69: Dial-A-Poem Relics, Venice Biennale, and gallery exhibitions at Galerie Almine Rech, Paris 2012 and 2009, Almine Rech Brussels, 2010, Nicole Klagsbrun Gallery, New York, 2010, Galerier de Jour AgnesB, Paris 2005. Group exhibitions include Imagine the Imaginary, Palais de Tokyo, Paris, 2012; Ecstatic Alphabets/Heaps of Language, MoMA, New York, 2012; Traces du sacré, Centre Pompidou, 2008; Martian Museum of Terrestrial Art, Barbican Centre, London, 2008. Giorno has been a prolific performer since the 1960s, and as Giorno Poetry Systems he released more than 50 albums of music and poetry. He famously was the subject of Andy Warhol’s first film, Sleep. He is the author of several poetry collections including Subduing Demons in America: Selected Poems, 1962–2007. Giorno’s work is part of important public collections, including Centre Georges Pompidou, Paris; Musée National d’Art Moderne, Paris; MUDAM, Musée d'Art Moderne Grand-Duc Jean, Luxembourg; MoMA, Museum of Modern Art, New York. Giorno will be the subject of a major retrospective of his life and work at Palais de Tokyo, Paris in 2015.

Friday, 17 May 2013

Jose Dávila : Shadow As Rumour and Valeska Soares

Jose Dávila, Shadow As Rumour, 2013
«Dávila comments on the role of images in our cultural and subjective memory, and develops an active relationship between the work and the viewer - we are compelled to fill in the void, recurring to our memory or imagination, thus performing a creative act.» Memory is triggered by ways of space-scapes. This moments can be affected by smell (olfactory memory), sound (echoic memory) and/or vision (iconic memory) events. It would bring, then, a collection of events stored throughout time, which refer closelly to the event being engaged with. This is a recurrence of the same moments/images throughout time. Their is nothing new, just an accumulation of experiences closelly related with each other.

Valeska Soares, The Rose Tattoo (From Bindings), 2013
«The book dust jackets and covers are arranged in a manner reminiscent of a modernist grid.» in the same manner as Brazil capital city, Brazilia. «Soares' accumulation is not a collections: it is text, and each object that she collects is a quotation. Refuting the possibility of a single meaning the artist invite the viewer/reader to perform a creative act and compose new narratives, not to decipher them.»
Valeska Soares, The Obscene Bird of Night (From Bindings), 2013
Valeska Soares, Timeline I, 2010
«Printed on each page, a sentence connoting the passage of time. ... these works deconstruct the structure of the novel, inviting the viewer to reconfigure the pieces into new, subjective narratives.»
Valeska Soares, Timeline I, 2010